Afterword, for two violins and piano

Commissioned by the Wolf Trap Foundation for the Performing Arts

Year
2020
Duration
14 minutes

There is something noble, sweeping, and grand about looking back on life, reflecting on life’s triumphs, pains, joys, and mysteries. I composed this piece after Jessye Norman’s death, and listened to her sublime recording of Strauss’s autumnal Four Last Songs frequently. Strauss perfectly captures this feeling of contemplation, especially in the final song “Im Abendrot”. In Afterword, I make subtle references to this song.

I also composed this piece while reading Hanya Yanagihara’s novel A Little Life, which is at its core a meditation on life’s sweetness and anguish. Without spoiling the novel, one of the characters experiences unimaginable pain. To me there is something particularly poignant about someone who reflects on a difficult life: the shortness of it, how cruel it can be, how ephemeral, how sweet.

Afterword is dedicated to my great friend Jacob.

Premiere performance below, at the Barns at Wolf Trap by Danbi Um, Paul Huang, and Orion Weiss in February 2020

Category
Chamber Works
Instrumentation
view Other

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